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If musicians painted images with their instruments, The Intelligence's soundscapes would be set in a grainy, ash-gray world, among piles of scrap metal and busted machinery, with discarded computer parts blinking in cobwebbed corners and factories belching out toxins at irregular intervals. The Intelligence is Lars Finberg, who got wellknown for being in the A-Frames, a one-man laboratory of intoxicating post-punk experimentation His music is so jagged and cinematically poetic and dusted in clouds of lo-fi noise that listening to it at different times can conjure completely different visions. Combining the fundamental elements of bands like The Fall and PIL with the serious pop sensibility of the Zombies and the early Bee Gee, Finberg has released his own little masterpiece with this album.
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